28/03/2026
Just lately, I seem to have held a lot of families saying goodbye to a dear parent. We have talked a lot about the 'right order of things' and yet, it doesn't change the vast shift of a lifetime that happens when our elders leave us.
I've shared this a few times to folk recently, so thought I'd share here too. Thanks to....Echoes of a Woman...đ
Go gently, tender hearts...đЎxx
'When a parent dies, it alters every goodbye that came before. Thatâs the real claim of Mary Catherine Bateson. All the airport waves, the end of Christmas, the slammed teenage doors, and the drive back to your own house after Sunday lunch. You realise you were always leaving inside a structure that assumed return. Death removes that assumption and rewrites the memory.
Bateson wrote that line in a memoir about her own parents, Margaret Mead and Gregory Bateson, who werenât ordinary parents by any measure. They were public intellectuals, travelling, arguing, thinking in big patterns about culture and family while their daughter watched. She grew up inside ideas as much as inside a home. And still, when they died, she was simply a daughter.
Because what sheâs getting at isnât only grief. Itâs the way memory behaves once the future is closed off. When your mother is alive, even if you havenât spoken in months, some part of you assumes there will be another attempt. Another phone call where you mean to say the thing properly or another visit where youâll be less irritable. You donât phrase it like that, but itâs there. After death, every earlier moment solidifies and canât be revised.
And thatâs unpleasant to face because many of those earlier partings were careless. You were distracted and impatient and already half turned toward your own life. Thereâs a selfishness built into adulthood. You build your independence by leaving and thatâs healthy. Itâs also, at times, indifferent. When death happens, the old exits donât feel neutral anymore. They take on a finality they didnât have at the time.
It makes me think about how we rehearse separation. University and moving in with someone. Each step is a practice for leaving home, and parents encourage it. They tell you to go and say donât look back. Then they die and you realise every one of those encouraged departures has been folded into a final one. Did they feel each of them more sharply than you did? Probably. You were busy becoming yourself while they were already counting the absences.
Joan Didion wrote about the way grief distorts time, how the mind keeps trying to reverse what has happened. Batesonâs line goes somewhere slightly different. Itâs recognition that the story of your life with your parents has an ending now, and endings change the earlier chapters whether you want them to or not. You read them differently. That argument when you were twenty becomes harder to shrug off and the apology you never quite managed becomes fixed in place.
Thereâs also relief sometimes. If the relationship was strained, death can bring a kind of order. No more unpredictable phone calls and old patterns. Then the earlier partings reappear in another light. You see where you withdrew and where they did. You can feel regret and release in the same moment.
I wonder whether this is why middle-age feels so crowded. Parents dying, or ageing toward it, children growing up and edging away. Youâre in the middle of departures in both directions. You tell your daughter to enjoy her trip, text when you land, and you hear your own motherâs voice in yours. The chain is obvious.
Bateson spent her career writing about learning and adaptation, about how people revise themselves over time. Death interrupts that revision. You canât test a new version of yourself against the person who first knew you. That can be freeing but it can also feel like losing the only witness to certain earlier selves. Who confirms that you were once shy, or reckless, or adored? Siblings do some of that work, friends a bit, but parents held the original record.
Maybe thatâs why the past surges forward when they die because weâve lost the future reference point. Every goodbye we treated as provisional becomes absolute. And youâre left standing in a string of doorways you walked through without looking back properly, realising they were leading somewhere you canât return from either.'
ÂŠď¸ Echoes of Women - Fiona.F, 2026. All rights reserved