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རབ་བྱུང་གྲྭ་ཆས་རྣམསཀྱི་ཚད།
17/08/2020

རབ་བྱུང་གྲྭ་ཆས་རྣམསཀྱི་ཚད།

05/03/2020

Bardo teaching by 2nd kalu rinpoche in 1988 A.D.

The cairns which are found in many places in the himalayan Buddhist areas are generally a symbol of a stupa made by pass...
11/12/2019

The cairns which are found in many places in the himalayan Buddhist areas are generally a symbol of a stupa made by passing pilgrims. Practically all mountain passes have them, sometimes more than one. When one goes over the pass it is customary to put a stone as a sign of gratitude to the local deities, as well as an offering to the Three Jewels. They are viewed as makeshift stupas - the accumulated effort and good wishes of all travelers who went by there. Something made with such intention and in such manner always has power and can be seen as a shelter by many non-material beings. It is not correct to say that a local preta can not have benefit - they don't have our human perception. Anything empowered by pure intention can serve as a support for them.

Building a cairn with a certain intention will have power, as will any intentionally built religious structure, and it is basically certain to attract non-human beings. However if one wants to avoid having beings with disturbed energy taking residence there permanently, this has to be consecrated for virtuous function by someone who has a strong power of intent, preferably by a great beings or lama.

There are a few analogies to why Buddhist stacked stones. The basic is a form of an offering. Here’s a few analogies
1) A childlike act to increase awareness
2) To teach balance and concentration
3) Request to deities to give the traveler safe passage on the journey
4) Makeshift Stupas of Pagodas
Good fortune where each stone represents a particular wish and possibly family member

Mipham Jamyang Namgyal (1846–1912) describes the symbolism of the Dadar and its parts in the following verses.༈མདའ་དར་རྟ...
18/11/2019

Mipham Jamyang Namgyal (1846–1912) describes the symbolism of the Dadar and its parts in the following verses.

༈མདའ་དར་རྟེན་འབྲེལ་ཀུན་འཛོམས་འདི།
།གནས་མཆོག་རྣམས་ཀྱི་སྨྱུག་མ་ལ།
།མདའ་མགོ་ལྔ་ཚོམ་ལྡན་པ་འདི།
།རྒྱལ་བ་རིགས་ལྔའི་མཚོན་བྱེད་ཡིན།
།དུག་ལྔ་གནོན་པའི་རྟེན་འབྲེལ་ཡོད། །

This Dadar endowed with all auspicious conditions, a bamboo from holy sites with five heads symbolizes the five families of the Buddhas, and holds the auspices to suppress the five poisons.

མདའ་སྐེད་ཚེགས་གསུམ་ལྡན་པ་འདི།
།ཚེ་ལྷ་རྣ.མ་གསུམ་མཚོན་བྱེད་ཡིན།
།འཆི་མེད་ཚེ་ཡི་རྟེན་འབྲེལ་ཡོད། །

The arrow body, which has three nodes, symbolizes the three Buddhas of longevity, and holds auspices for longevity and immortality.

མདའ་རྩེ་རྣོ་ངར་ལྕགས་ཀྱིས་བརྒྱན།
།དཔའ་རྩལ་བརྟུལ་ཕོད་ཆེ་བ་དང་།
།ཚེ་སྲོག་སྲ་བའི་རྟེན་འབྲེལ་ཡོད། །

The tip of the arrow being adorned with hard iron symbolizes valour, vigour and courage, and holds auspices for stable life and life force.

མདའ་སྟོང་དགུང་ལ་གཏད་པ་འདི།
།མངའ་ཐང་དགུང་དང་མཉམ་པའི་བརྡ། །

The nock of the arrow rising towards the zenith is sign of one’s power becoming as high as the zenith.

དར་མཚོན་སྣ་ལྔས་བརྒྱན་པ་འདི།
།མི་རྒྱུད་དར་ལས་འཇམ་པ་དང་།
།མཁའ་འགྲོ་སྡེ་ལྔས་སྲུང་བར་མཚོན། །

The adornment with silk scarves of colours symbolizes the character of the people to be as soft as silk and the protection by the five kinds of ḍakiṇi spiritual beings.

ཐང་དཀར་ཐང་སྨུག་སྒྲོ་ཡིས་བརྒྱན།
།དཔའ་བོ་དཔའ་མོ་མཚོན་པ་དང་།
།ལམ་སྣ་བསུ་བའི་རྟེན་འབྲེལ་ཡོད། །

The ornamentation with feathers of a vulture indicates the heroic nature of people and holds the auspices of being well received on the path.

རྣོ་ངར་ལྕགས་ཀྱུས་བརྒྱན་པ་འདི།
།ཆོས་སྐྱོང་སྲུང་མ་མཚོན་པ་དང་།
།ལས་བཞི་འགྲུབ་པའི་རྟེན་འབྲེལ་ཡོད། །

The decoration with a hard iron tip symbolizes the protector deities, and holds auspices of accomplishing the four activities.

མདའ་ལ་མེ་ལོང་བཏགས་པ་འདི།
།སྨེ་བ་དགུ་དང་སྤར་ཁ་བརྒྱད།
།ལོ་བསྐོར་བཅུ་གཉིས་ཚང་བ་ཡིས།
།སྲུང་བའི་རྟེན་འབྲེལ་མ་ཚང་མེད། །

The mirror on the arrow indicates the auspices of being protected by the nine mewa, eight parkha and twelve lokhor animal powers.

ཤེལ་གཡུ་དུང་གསུམ་བརྒྱན་པ་འདི།
།དཀར་ཕྱོགས་ལྷ་ཀླུ་གཉེན་གསུམ་རྟེན།
།ཁ་འཛིན་སྡོང་གྲོགས་འབྲལ་མེད་ཀྱིས།
།མི་ནོར་ཟས་གསུམ་འཛོམས་པའི་བརྡ། །

The ornaments of crystal, turquoise and shell symbolize being protected by gods, ngen and naga spirits and of possessing people, food and cattle.

རིན་ཆེན་རིགས་ཀྱིས་བརྒྱན་པ་འདི།
།འབྱུང་བཞིའི་བཅུད་གཡང་འགུག་པར་མཚོན། །

Being decorated with varieties of jewels symbolizes the attraction of the essences of the four elements.

ཚེ་གཡང་འགུག་པའི་ཚེ་མདའ་ཡིན།
།དཔའ་བོ་མཁའ་འགྲོའི་ལྷ་མདའ་ཡིན།
།ཆོས་སྐྱོང་སྲུང་མའི་བླ་མདའ་ཡིན།
དགྲ་ལྷ་འཁོར་བའི་རྟེན་མདའ་ཡིན།
།དབང་ཐང་དར་བའི་རྟེན་འབྲེལ་ཡོད།
།བསོད་ནམས་རྒྱས་པའི་རྟེན་འབྲེལ་ཡོད།
།བདེ་སྐྱིད་ཕུན་སུམས་ཚོགས་པར་ཤོག །།

This is life-arrow to attract longevity and wealth. This is divine arrow of the heroes and ḍakiṇis. This is Lah-arrow of the protector deities. This is the relic-arrow, which attracts the Dralha war gods. This has auspiciousness for the charisma to rise. This has auspiciousness for the merits to flourish. May peace and happiness prevail in abundance.

Mudras are the important parts of vajrayana. And it is also scientifically proven for the beneficial of health and body ...
13/11/2019

Mudras are the important parts of vajrayana. And it is also scientifically proven for the beneficial of health and body as well.

02/11/2019

No need to respond to any action. Karma serves what one deserve.

Disc of Space: the outer rim of the bell represents the outer disc of space.Necklace of Light: as the bell tapers in man...
28/09/2019

Disc of Space: the outer rim of the bell represents the outer disc of space.

Necklace of Light: as the bell tapers in mandala shape, the first ring of malas or rosaries (pearls or conch) represent the outer protection circle of the Necklace of Light—protecting the mandala from conflagration (the poison of aggression), earthquakes (the poison of ignorance), and floods (poison of desire).

Vajra Fence: the second protective circle of the mandala as 32 or 65 upright Dorjes (Vajras).

Lotus Womb: the upper level of pearls or malas (surmounting the Vajras) is the third protective circle.

Earth Disk: above the Lotus Womb is an open, unadorned area, representing the disk of earth.

Eight Great Bodhisattvas: wrapped in a wondrous arcs and loops of jewels and pearls are the emblems of the eight great Bodhisattvas:
• Wheel (east or front)
• Uptala lotus (south east)
• Wish Fulfilling Jewel or Ratna (south)
• Wheel (south west)
• Lotus (west)
• Vajra (north west)
• Wisdom sword (north)
• Lotus (northeast)

Eight Faces of Glory: above the Bodhisattvas are eight faces of glory, and hanging from their fierce mouths are strings of pearls and jewels. These kirtimukha faces represent the eight makara heads of the immense Vishva Vajra (double Dorjes crossed) that supports the central mandala palace. In Chod practice, the eight faces also represent the eight great charnel grounds or cemeteries.

Offering Goddess Platform: the two rows of pearls above the eight faces represent the decorations of the offering goddess platform and walls.

Vajra Platform: The horizontal Vajras above the Goddess Platform represent the eight or sixteen emptiness’s and also the indestructible Vajra Platform, the material of the mandala’s central dais.

Eight-Petal Lotus: On the upper area of the bell is the lotus of the mandala’s central dais . On each petal is a seed syllable. The four cardinal syllables around the Lotus represent the Four Mothers, the consorts of the four directional Buddhas:
• Mother Tara (Tam)
• Mother Locana (Lam)
• Mother Mamaki (Mam)
• Mother Pandara (Pam)

Eight Male Bodhisattvas: Each petal of the Lotus represents the eight great male Bodhisattvas
• Ksh*tigarbha (East petal — east, the front petal of the lotus)
• Maitreya (southeast)
• Akashagarba (south)
• Samantabhadra (southwest)
• Avalokiteshvara (Chenrezig) (west)
• Manjugosha (northwest)
• Vajrapani (north)
• Sarva-nivarana-vishkambhim (northeast)

Eight Offering Goddesses: represented by the eight seed syllables (seed syllable English transliteration in brackets) between each petal of the Lotus:
• Lasya (Tam) offering beauty (east or front)
• Pushpa (Mam) offering flowers (southeast)
• Mala (Lam) offering garlands (south)
• Dhupa (Pam) offering incense (southwest)
• Gita (Mam) offering song (west)
• Aloka (Tam) offering light (northwest)
• Nritya (Pam) offering dance (north)
• Gandha (Bhrum) offering perfume (northeast)

Lotus throne of Mandela deity: Inside the lotus, surrounding the stem of the bell, is a smaller lotus of 24 or sometimes 32 spokes, representing the lotus-throne of the mandala’s central deity—you can visualize either Prajna Paramita, the face of the Perfection of Wisdom who adorns the bell, or the mandala of your Yidam deity.

Six rings of six perfections: At the base of the handle, and under the crowning vajra (which always tops the bell), are six more rings, representing the six perfections of the Prajna Paramita.

Longevity vase of nectar: Between the three top rings and the three bottom rings is a square or round base, representing the longevity vase of nectar.
Wisdom face of Pragnaparamita or Yidam Deity:
Above the vase, is the very face of wisdom, the ultimate wisdom Mother Pajna Paramita, wearing a five-wisdom jeweled crown and with her hair bound, representing the binding of all diverse views into a single non-dual reality.

Vajra Crown:
Above the Goddess is the lotus base of the vajra crown. The vajra crown is the very embodiment of the Five Wisdom Buddhas: Akshobya, Amitabha, Amoghisiddhi, Vairochana, and Ratnasambhava.

Note: Some bells have a finger-whole, for the ring finger, replacing the longevity vase and sometimes the face of Prajn Paramita. This represents emptiness.

From post of phub dorji wang at september 26 2019

15/09/2019
Bhava chakra..1) The pig, rooster and snake in the hub of the wheel         represent the three poisons of ignorance, at...
29/08/2019

Bhava chakra..
1) The pig, rooster and snake in the hub of the wheel
represent the three poisons of ignorance, attachment and
aversion.
2) The second layer represents karma.
3) The third layer represents the six realms of samsara.
4) The fourth layer represents the twelve links of dependent
origination.
5) The fierce figure holding the wheel represents
impermanence.
6) The moon above the wheel represents liberation from
samsara or cyclic existence.
7) The Buddha pointing to the white circle indicates that
liberation is possible

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