HAL Audio

HAL Audio đź’˝ We make audio software and sound libraries
🎬 By and for post-production pros

Pour le cinéma, pour l'art contemporain, un seul interlocuteur pour toute la chaîne sonore ! HAL est composée de :

Serge Arthus - Directeur technique
Hortense Bailly - Monteuse Paroles, Monteuse Son
Lucien Balibar - Chef opérateur, Monteur Son
Niels Barletta - Mixeur
Nicolas Becker - Bruiteur, Créateur Sonore
Guillaume Bouchateau - Monteur Son
Katia Boutin - Monteuse Paroles, Monteuse Son
Guillaume Couturier - Mixeur, Ingénieur du son mastering
Valérie Deloof - Monteuse Son
Aymeric Devoldère - Monteur Son
Florent Lavallée - Mixeur
Cyril Holtz - Mixeur
Pierrick Saillant - System Designer

17/03/2026

🦋 Morphosis in Action | Turning a male vocal into a female harmony
lucien takes Vincent’s vocal line and morphs it into a female voice using .
The melody and performance stay the same but the timbre shifts, creating a natural female harmony behind the original voice.

A quick glimpse of how Morphosis can expand vocal production in a track.

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13/03/2026

🦋 Morphosis in Action | In this session, .lucien uses to transform a simple bass line into a textured, expressive layer.

By morphing the performance with different sound models, he layers a synth bass under his electric bass, keeping the groove of the original while adding some grit.

A quick glimpse of how Morphosis can turn a simple musical idea into something much more textured.

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09/03/2026

đź‘‹ Meet the Morpher: .holtz

Sound designer and re-recording mixer behind films like Emilia Perez, It Was Just An Accident, The Secret Agent, Interstella 5555 and many more.

In this session, Cyril shows how he uses to transform a human voice into robotic textures while preserving the original performance.

A little glimpse of how Morphosis can help craft hybrid voices and shape unique sonic identities for characters.

We’re very proud to have Cyril as part of the Morphers’ community.

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06/03/2026

đź‘‹ Meet the Morpher: Pascal Villard

Sound designer behind films like Rust and Bone, La Vie En Rose, Largo Winch and many more.

In this session, Pascal shows how he uses to push his sound design further — here by morphing an explosion with animal models to create richer, more organic textures.
Same scene, same timing… but suddenly the explosion starts to growl.

A little glimpse of how Morphosis can help shape hybrid sounds and create a unique sound identity for a film.

We’re very proud to have Pascal as part of the Morphers’ community.

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We’ve been getting questions about AI in   — fair enough.Yes, there’s AI inside. And yes, we built it responsibly.We’re ...
03/03/2026

We’ve been getting questions about AI in — fair enough.

Yes, there’s AI inside. And yes, we built it responsibly.
We’re breaking it down openly and transparently right here 👆

Still curious about how it all works? Ask us. We love talking about this stuff.

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27/02/2026

🔉Morphosis in Action | From electric guitar to… well, almost anything. Instruments, textures, and yes, even duck 🦆?!
All while preserving the rhythm and intention of the original performance!

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👋🏼 Meet the Morpher: Very talented sound editor, mixer & sound engineer behind projects like Lupin (Netflix), Kaamelott ...
24/02/2026

👋🏼 Meet the Morpher:
Very talented sound editor, mixer & sound engineer behind projects like Lupin (Netflix), Kaamelott – Second Part (directed by Alexandre Astier) and L’Amour Ouf (Beating Hearts directed by Gilles Lelouche).

He shares how fits into his creative and technical workflow — with a special focus on his work on – Deuxième Volet.

We’re proud to have him as part of the Morphers’ community!

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23/02/2026

🔉Morphosis in action | A quick view on some of the sound transformations Morphosis can help you make: from a raw tambourine sound to multiple sonic possibilities!

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23/02/2026
Meet Morphosis 🦋We spent over a year shaping this tool with one clear goal: to make it a real creative ally for sound de...
21/02/2026

Meet Morphosis 🦋
We spent over a year shaping this tool with one clear goal: to make it a real creative ally for sound designers and music makers, helping ideas flow faster from mind to sound.

We can’t wait to see where you’ll take it!

18/02/2026

After months of development, experimentation, testing, and long discussions with sound makers, we are proud to announce Morphosis is finally out! 🤩

Designed to work by your side as a creative ally, Morphosis is a neural timbre-matching tool built for people who actually work with sound — in post-production, music, dialogue editing or sound design.

It takes the timbral character of a voice, an instrument or a sound and applies it to another audio signal, while keeping what matters intact: timing, articulation and performance.

Morphosis works with a curated and expandable ecosystem of high-quality audio models — voices, instruments, FX and other sound curiosities — made to be explored, combined and pushed.

đź”’Runs fully offline and locally.
🧑‍💻Is available as a Pro Tools AudioSuite plug-in and as a standalone app for other DAWs.
🔉Comes with a curated selection of models to start with.
▶️ Fits naturally into real-world audio workflows.

💵 Introductory price: $199 / 199€ until March 3
👉 Learn more about Morphosis at hal-audio.com/morphosis

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⚓️ Launch price: 179€/$ instead of 249€/$ until Dec 9.You’ve seen the reels , now here’s the full dive. 🌊TO THE SEA is o...
04/12/2025

⚓️ Launch price: 179€/$ instead of 249€/$ until Dec 9.

You’ve seen the reels , now here’s the full dive. 🌊
TO THE SEA is officially out: 454 sounds, 13 hours of navigation, waves, mechanisms and ocean details captured with Lucien Balibar’s iconic precision.

For sound designers who want the sea, not just “water noise”.

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Paris

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