Space Jazz Theory

and the importance of the number 24  By Kieran Dunne Sept 2020

With the latest scientific news after the identification of the Higgs that dark matter can be seen as a network in places and that sound waves have a small element of mass Its time I revisit and again update my Space Jazz Theory 2013 - 2019

Apparently there are about 12 or so theories for the understanding of the metauniverse (and of course the creationists maybe have a powerful popular argument the beginning there will have been something ?)

Space Jazz Theory is just another possibility and where space starts that nano particle in front of you right now reaching out beyond the speculated cosmos.Space Jazz Theory: describes the musical theory based process of how what appears to nothing ( or dark matter or your Higgs’ ) in space becomes something prior to becoming a gas coalescing by way of spirals into cluster eventually becoming supernova and stars etc. In other words it describes a framework that may theoretically exist before these gaseous processes and how they are built on and eventually by way of degradation transform back into the original form. In other words how the fabric of our metaverse may have been made. The late Professor Stephen Hawkins has recently posited the idea of parallel Universe and new Galaxies findings are doubling Similarly Space Jazz Theory thesis in a cannibalistic process in way of others such asMarconi(https://en.wikipedia.org/wiki/Guglielmo_Marconi)

Much of what I attempt to do here hypothesis the way I and maybe music and particular Jazz musicians explore .I’ve formulated on the basis on Pythagoras Theorem the underlying basis of western tonal music form and by the ideas 17th Music of the Spheres.  I am still developing itbut my suggestion is the meaning of life could be the number (24 and not 42
Area One (of seven)

If we were took string wave / Higgs Particle molecules it origins as gaseous particles to its hard circular form (24) travelling, exo planet imagine its make up how would it look, feel, what time would pulse at or weather ...it be static or in steady beat or compound time etc
No one really knows all though it is suggested there are spiral patterns that map out our universe our sun and planets hum sun note: 332.8(e) 497.1(b) moon note: 421.3(ab) none: mars note: 289.4(d) 389.4(g) ... frequency/musical note: transpersonal: 273(1:15)c #(earth orbit 272) crown: 480 ... )Ref FREQUENCIES OF THE ORGANS OF THE BODY AND PLANETS...greatdreams.com/hertz.htm

We also now the experiment of a resonating flat metal sheet subjected to sonic vibration frequency s will produces a variety of different visible structural shapes. See Oscillang water droplets to frequencies https://www.facebook.com/CymaticUniverse/videos/1742579936030786/?t=3|This happens in the cosmos but on a much vaster scale of course in gases that are the missing piece of the jigsaw in understanding how gasses will eventually follow to coalesce to form spirals so on and so forth and follows some of earth bound mathematical principles below of Pythagoras Fibonacci sequence which of course is the same used within music theory
In SJT I compared cosmic event to the equivalent a musical note , phrase or a "accidental" note as played in jazz a slur/ vamp /vibrato stop space etc in a very broadest sense. If it exists and there are some I speculate there are natural laws that give some explanation or their position ( Fibonacci sequence / Prime numbers ) or it may be either an musical “accidental NOTE “ . Often said in musical education” you must know the rules to be able to break them” as happens in music especially Jazz and apply it to the neutrinos ,quarks , Higgs , etc In this place there could be a reason to move out of the formal standard western music and into dissonance of the romantic era on wards to modern jazz

We all know all though a piece Little Brown Jug may well sound the standard model We also know in the hands of a Jazz artists its going to be mashed up to something unrecognisable only to come back to the home keys and note at some distant junction

On its way the will touch a multitude of musical ‘events; via, relative keys and the numerous chords that make them up could be speculate as being no different ( stars / Higgs Boson, Star System dark matter energy)Parallel Universe
Multiply this if you may masses of times possibly in the pattern form of the Coriolis Effect and you get multiple options of solar systems universe SJT can also give an explanation of String Theory and how our universe likes may well look like a bubble as we see with the often published photo of the big bang

As in nature the jazz guitarist we take shapes for the guitar fingering positions we look for the least easiest and most efficient and observable way to transverse musical time and space. The most efficient way is by Pythagoras or shapes of the triangle leading to a Coriolis Effect If we take chords and notes of F Major on the guitar first position F on the fifth fret and going to the first string F what pattern does it form it forma triangle draw a diagonal line from the bridge to the bottom we get an elongated slice or what I say a slice Coriolis Effect

This can be applied to other keys s well It appears the Metaverse (s) are much more uniform than they were once thought

In Space Jazz Theory 2013 -16 I posit you can multiply many Corelli’s Effect in a computer model ( yet to be done) and put them side by side you create a model of a circle or ( invert) oval or universe.Alternatively I t could be explained as there are seven letters in the western musical alphabet it usually takes six bars to express a idea /song times this and you get the answer 42 . ( Does this sound familiar ? )

Further to form a meverse imagine ending note or phrase at the edges of the universe now has the potential now to link up with other universe and their Jazz models imagine blowing bubbles and they all ( join up ) As in Jazz the multi universes may have all have different key centres but transmembrane ( as we see in human cells ) on the cusp I prosthesis they will return to a note or 'event' that has a distant connection and the start within a new universe possibly replicating themselves into
infinity . (see area three )

It has been suggested the cold spot can be seen on the spectrum of the photo of the big bang.Space Jazz Theory is well placed to the idea of such tapering as musical model lends itself to a number of cadences as a stop off point (note Beethoven single note ) with the ability of the cusp to pivot into the same or different key centreswe already have the written and Mathematical formulas for these of the peg . Area Two Musical Gigantism Chords and Insects notes and Gravity This is an are built on the position I first heard by Professor Brian Cox on this week and I have applied it to my Space Jazz Theory (I don’t know if he would agree) He described why animals have different structure mass in relation to gravity and natural laws on earth and space. Guitar are the size of guitars for this reason? I posit power chords on the guitar such as the chord F major this is an example gigantism the chords strong loud but inflexible due to its mass the physical effort need to produce acoustically is great.Its smaller abridged chord is easier to play on the fifth fret F and more manoeuvrable and a different shape Its relative ‘insect note’ on lower frets still and different smaller shape very flexible a lower mass ratio and can easily be manoeuvred .All are different in structure to each other however easily with some skill transferable within their shape or can divert to other relative chords and keys as such in a Bach Cannon or Heavy Metal Solo ( that never stops in your head playing see the Metaphysical

Area Five The above replicates the natural world and constant laws of the universe gravity

The idea of music always moving forward and not backwards usually unless it a Stochhausen Area Five Algorithms/ Patterns according to the Horizon BBC Team are regular used already in exploring space make up pattern for a better understanding. This is also applied in crime detection reduction making sense of chaos and randomness. Jazz artists apply Algorithms all the time these day not to fight crime but to predict and anticipate making enormous leaps and turns around abridging their as they improvise so much so they don't even replacing musical tablature but give numerical values alone i.e. 1,4,3 (or , i iv iii or , a b c) Chords
Inversions Of Chords hps://www.ars-nova.com/Theory%20Q&A/Q25.htmlAs long as you know the Key you a Jazz arst just shout out the chord and inversion so skilled are they it becomes a short hand and they don’t even bother with the wrien score the computer of the mind calculates it as data. ie Key of C 5 4 1 5 ( 1 3 ) 4 ( 1 5 ) 1 ( 3 1) then to relave minor Am and the repeat using the below periodic table
https://www.google.com/search?q=jazz+standards+written+numerically+with+inversions&rlz=1C1GCEB_enGB892GB892&source=lnms&tbm=isch&sa=X&ved=2ahUKEwiWnemX8o3oAhUGesAKHaaLCMwQ_AUoAXoECA0QAw&biw=1600&bih=789&safe=active&ssui=on Dyslexics can read numbers and letters with even fractured symbols) twisted by endless multiplications mental origami /ormifolds every inversion of the chord sequence they are applying maths and physics as they explore the sonic universe when playing music sitting with a pen or computor or even just thinking doing the formulations in head. Beethoven famously was reported to of been hearing impaired and carried on composing possibly by the above the same technique and feeling the sonic vibration resonating from placing his head on the Piano. Dyslexics musicians use colour codes Sound has visible manifestation in the experiment were noise makes
sand move onto different shapes for different pitches over stretched balloon or on a computor

This is a possible template how you can map out a universe?before the rules and jazz it up Einstein discussed how bend time and space notably folding space similary a piece of paper this could be done wrapping a paper of musical numbers above equally in to a funnel this number could be short or infinite maybe shaped to a double helix computer model and played live or given some vibration effect on gas and dust . Area Six Time Travel Professor Cox and Stephen Hawkins today postulates time travel is possible but not backwards via black holes in the Universe music goes in one direction towards expansion never retractions

Ormifolds are ways to bend time and move one part of space to another. Woven pieces of paper are uniquely adaptable to a circular oval shape like spider’s web has structure As above Jazz artists do this all the time making enormous leaps and turn around abridging their as they improvise so much so they don't even replacing musical tablature but give numerical values alone ie 1,4,3 (or , i iv iii or , a b c) further the sonic values further,demonstrate a code The Code Marcus Du Satoyhttp://rooksheathscience.com/…/the-maths-and-music-of-the-…/ nor eventually for the most adapt is it needed to be written down its just in there mind-set and many suggest that there is innate interplay between artist is communication of the mind. Professor Marcus Du Satoy observes this in his research and how it can be compared to architecture in churches monasteries it does take a great leap of the imagination of envisage a matrix outside the body and wider space as a formula for expandable universe buildinghttp://rooksheathscience.com/…/the-maths-and-music-of-the-…/

Ever seen a Merkat communicate out of the mound just like our jazz musicians again me shouting out the numbers above as they weave their lines Another possible indication how music travels through brain waves as well as sound radio and velocity waves and already for people with disability thought waves are now being used to move computors to aid mobility. With computors doubling in size ever three years humanoids are to be a future for many and the Algorithms that humans innately understand will eventually be morphed

Area Seven Fractals

Fractals exist in the giant’s causeway usually made up of triangles , clouds trees and even the coast of the earth will make these patters once we understand this code we can the reverse engineer
Area Eight reverse engineering Pixar is a good example of extrapolating this idea on the early eighties in cartoon s its common place now it makes sense of what appears chaos Area Nine Viruses The above is just what is happens naturally laws and more complex models than triangles can be found in viruses and it is suggested the work of Jackson Pollock is a close representation of the again an example of man transferring jump and jazz artists also make these leaps of faith in time travel to different areas inside the Code and outside at will.Area Ten Morphogenesis Mathematical Structures visible in nature i.e. Tiger Stripes scientist Alan Turing Pattern formation and mathematical biology“
Towards the end of his life, Turing turned to mathematical biology, publishing the "The Chemical Basis of Morphogenesis" in 1952. He was interested in morphogenesis, the development of patterns and shapes in biological organisms. His central interest in the field was understanding Fibonacci phyllotaxis, the existence of Fibonacci numbers in plant structures.[97] He suggested that a system of chemicals reacting with each other and diffusing across space, termed a reaction-diffusion system, could account for "the main phenomena of morphogenesis".[98] Instability in the system of partial differential equations used to model the system allows for small random perturbations to homogeneous initial state to drive the development of patterns. Though published before even the structure or role of DNA was understood,

Turing's work on morphogenesis remains relevant today, and is considered a seminal piece of work in mathematical biology.[99] Experiments suggest that Turing's work can partially explain growth of "feathers, hair follicles, the branching pattern of lungs, and even the left-right asymmetry that puts the heart on the left side of the chest."[100] In 2012, Sheth, et al. found that in mice, removal of Hox genes causes an increase in the number of digits without an increase in the overall size of the limb, suggesting that Hox genes control digit formation by tuning the wavelength of a Turing-type mechanism.[101] Later papers, though promised, were not available until Collected Works of A. Turing was published in 1992.[102] https://en.wikipedia.org/wiki/Alan_Turing apprently DNA has a preference towards the left also

Accessed 04/11/2016I posit in the future we will be able to detect musical codes (and other codes) physically in our atmosphere and Space.Area 11 Computor Visualisation of collation of dominant ideas Models on computer today already lend themselves to collation over longevityalso to models and water and airwith the associated in putI posit the major first to minor will be the strongest the presence of chords in key , other relative chords and notes on the most harmonious will dominate they emulate natural laws. What if put some parable data into computer what would this look like density and vacuous of space and why things cluster and spiral cylindrical with the keys and chords making them up they have a relationship with the next cylinder adjacent and so on making a un limited possibility and metaverses latching on

Area Eleven

Some my say this is a very rigid formulaic for the complexity of space but just try shuffling a three quarter full box of sugar cubes it looks a
mess shake it again and it all becomes lined up at 90 degree angles in seconds.Summary Of course as we all looks look up into the sky it all seems like jazz notes and spaces anyway but are we just looking at it from our anthropomorphic plain and of course maybe eyes in a different galaxy have a different view altogether. But I still posit it’s just a question of joining up the jazz spaces dot’s and spaces and imagine these “events” as 'gods 'artistic license. We may need a super computer to this and I would input the above variables as well (others could suggest more)But building upon ideas Alan Turning lets take the most proficient ideas in human culture enterable into a Super Computor This is already done to map out the theory of what makes a good Pop Song in computors analysis

1 What is the majority of western music text in what key2 What is the majority of western music text in chord pattern3 What is the majority of western music text in chord pattern time signature4 Times this by the known universe time in existenceMy conclusion is at it reductionist Shengen Analysis is there are 6 bars 4 beats to make up any basic Sing A Song Of Sixpence to make up four and 20 /24 .When I multiplied this on a 360 it came to the multiple of 13 billion opportunities ( without counting modulations and any relative key changes ) The number 24 is a natural number used widely in societies and Mathematics The Human Genome is made up of 23 pairs of chromosomes the extra number in my theory allows for mutation and modulation into other key centres and avenues like in DNA