Livia Benavides Galería

Livia Benavides Galería Livia Benavides, galería de arte contemporáneo 80m2 Livia Benavides, galería de arte contemporáneo.

Artistas:

Gabriel Acevedo
Iosu Aramburu
Wiliiam Cordova
Ximena Garrido-Lecca
Nancy La Rosa
Raura Oblitas
Eliana Otta
Marco Pando
Rita Ponce de León
Santiago Roose
Juan Diego Tobalina
Adan Vallecillo
José Vera Matos
Maya Watanabe
Sergio Zevallos
David Zink Yi

Nos alegra anunciar nuestra participación en PINTA Lima 2026 (.artofficial), en el Booth C1, del 23 al 26 de abril.Nuest...
18/04/2026

Nos alegra anunciar nuestra participación en PINTA Lima 2026 (.artofficial), en el Booth C1, del 23 al 26 de abril.

Nuestra presentación reúne obras de Alexander Apóstol, Iosu Aramburu, Daniel de la Barra, Chonon Bensho, Elena Damiani, L. Emperatriz, Darío Escobar, Piero Figueroa Bravo, Sandra Gamarra Heshiki, Ximena Garrido-Lecca, Andrés Pereira Paz, Rita Ponce de León, Ishmael Randall-Weeks, Paolo Salvador y José Vera Matos.

Los esperamos!!

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Darío Escobar
”Modern Sculpture Nº 10”, 2025
Metal and pigments
44.5 x 61 x 37 cm

Ishmael Randall-Weeks (Cuzco, Peru, 1976) works explore themes of urbanization, transformation, regeneration, collapse a...
17/04/2026

Ishmael Randall-Weeks (Cuzco, Peru, 1976) works explore themes of urbanization, transformation, regeneration, collapse and nomadic existence. His artworks frequently resemble functional structures while stripping them of their utility, questioning ideas of labor, cultural codes and the meaning of built forms.

“Maqueta. Endless Column Huacos” is a floor piece which consists of a stack of reproductions of Huacos (earthen ceramic ceremonial vessels) arranged visually as if emerging from the floor and into the ceiling ad infinitum. The objects are replicas of a variety of pieces found across archaeological sites in Peru and typically reproduced as tourist souvenirs: Cuchimilcos, figurines from the Chancay culture found in the central coast of Peru usually in male-female pairs at burial sites; Moche male portrait vessels used as drinking vessels and found in elite tombs; and finally, Chimu pots.

The column is about possibilities as much as it is about fragility and queries our contemporary relationship to museums and archaeological finds. The title is a nod to Brancusi’s sculpture of the same name.

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“Maqueta. Endless Column Huacos”, 2025
Ceramics
0.76 x 0.28 cm

Sandra Gamarra Heshiki’s first retrospective exhibition ”Réplica” is now open to the public at MASP (Museu de Arte de Sa...
16/04/2026

Sandra Gamarra Heshiki’s first retrospective exhibition ”Réplica” is now open to the public at MASP (Museu de Arte de São Paulo).

The exhibition offers a critical reflection on systems of representation and classification within museums through a body of work spanning over two decades of practice.

Through strategies of appropriation, copying, and intervention, Gamarra Heshiki reconfigures historical narratives and questions the frameworks through which art histories are constructed. Bringing together 72 works, the exhibition is organized into distinct sections that engage with traditional chronologies of Latin American art, proposing alternative ways of reading and relating to collections.

Curated by Adriano Pedrosa and Guilherme Giufrida, with Florencia Portocarrero and Sharon Lerner, Director of Museo de Arte de Lima (MALI — Museo de Arte de Lima), ”Réplica” will remain on view through June 7, 2026

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(1, 2, 5, 6, 7, 9, 11, 12, 13) Installation photography: Eduardo Ortega

(3) “Rojo Indio”, 2019
195.5 x 147.5 cm

(4) “Criptomnesia IV (o en algunos museos nunca sale el sol)”, 2020
120 x 120 cm

(6) “Escritura sobre Naturaleza Mu**ta III”, 2019
64 x 64 cm

(8) “Reconstrucción”, 2021
56 x 38 x 2.5 cm

(10) “Las 3 razas”, 2021
78.5 x 80 x 2.5 cm

L. Emperatriz is an artist, activist, writer, and tattooist based in Brussels, Belgium. The artist’s work explores the s...
10/04/2026

L. Emperatriz is an artist, activist, writer, and tattooist based in Brussels, Belgium. The artist’s work explores the spiritual connections that emerge through everyday exchanges with surrounding energies, creating symbols rooted in her practice and imbued with a magical-religious intention.

On “El mismo fuego que destruye es el que abre los caminos”, 2026, the artist draws on spiritual practices and traditions that understand materials and energies as forces capable of transformation. Inspired by the use of amulets to protect and attract well-being, the series explores processes of internal change and renewal, reclaiming destruction as an opportunity to begin again.

This artwork is currently on view as part of “sábilas colgando y amuletos pendientes” at Livia Benavides

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”Rafael”, 2026
Acrylic and plastic jewelry on wood
30 x 30 cm

Piero Figueroa Bravo is a visual artist based in Lima, Peru. He works with scenography as an epistemic category and expl...
09/04/2026

Piero Figueroa Bravo is a visual artist based in Lima, Peru. He works with scenography as an epistemic category and explores the intersections between painting, installation, and caricature.

His current project “On MIL”, 2026, challenges the commodification of pre-Hispanic Peruvian aesthetics and identities. Skeptical of decolonial theory as structurally inadequate, his work instead proposes an artistic speculation on the conceptual and aesthetic universe of pre-Hispanic Peru, one that holds the contradictions of a people caught between tradition and modernity, past and future.

Rather than adopting the archival, documentary, or museographic aesthetics that dominate socially-driven contemporary art, Figueroa Bravo operates within the visual universe of set design, publishing, mass production, and pop culture while interrogating the pressures that push Latin American artists toward self-commodification within the international art scene.

This artwork is currently on view as part of “sábilas colgando y amuletos pendientes” at Livia Benavides.

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”Untitled”, 2026
Acrylic on 14 canvases and wood
180 x 90 cm

Paolo Salvador (b. 1990, Lima, Peru) lives and works in London. His art hinges on the same universal themes and ideas th...
08/04/2026

Paolo Salvador (b. 1990, Lima, Peru) lives and works in London. His art hinges on the same universal themes and ideas that connect the pre-colonial subject to modern thinkers, the Andean cosmovision to natural science, and the Western tradition of painting to contemporary art practices.

In his work Salvador makes frequent reference to the natural world and the harmonies found therein, a result of closely observing his environment in order to detect the intricate textures and patterns that inspire his paintings. To the artist, everything is deeply intertwined, science, art and spirituality; humans, plants and animals, which he believes are wrongly divided in many modern cultures.

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”Untitled” 2026
Mixed media on handwoven alpaca-wool blend
78 x 67 x 3 cm

Happy birthday dear Chonon Bensho!! Her Kené designs are inspired by the visions generated through the ingestion of enth...
04/04/2026

Happy birthday dear Chonon Bensho!! Her Kené designs are inspired by the visions generated through the ingestion of entheogenic plants, such as ayahuasca. These pattern visions are an essential aspect of healing rituals. Traditionally, kené is a feminine art inherited from mother to daughter, using materials derived from the Amazon forest and reproduced across textiles, ceramics, and the body itself.

In Bensho’s hands, kené becomes a tool for creating large embroidered compositions that express the harmonious coexistence between humans and the Amazonian environment. Through these artworks, mythological beings, animals, and plants are shaped or traced through kené, functioning as a metaphor for the inseparability between all living beings in Shipibo-Konibo culture.

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”Untitled”, 2025
Embroidery on fabric
104 x 137 cm

We are pleased to announce that María José Murillo has been awarded a fellowship from the Goethe-Institut for the Vila S...
02/04/2026

We are pleased to announce that María José Murillo has been awarded a fellowship from the Goethe-Institut for the Vila Sul Residency Programme in Salvador, Bahia (.bahia), where she will be in residence from March to May 2026.

The Vila Sul Residency Programme brings together twelve international artists, academics, and authors to develop projects in dialogue with the local context of Salvador, Bahia. With a focus on interdisciplinary exchange and collaboration, the programme fosters research, experimentation, and engagement with the cultural and social environment.

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”Chicha”, 2018
Textile
212 × 116 cm

Congratulations to Ximena Garrido-Lecca on being featured in ARTnews () for her participation in High Line Art’s 2026 co...
01/04/2026

Congratulations to Ximena Garrido-Lecca on being featured in ARTnews () for her participation in High Line Art’s 2026 commissions in New York ().

The artist will present a nine-foot bronze corn cob water fountain that reflects on corn’s legacy as both a cherished ancestral crop and a global commodity. Through its neon-yellow water, the work subtly references the environmental and human impact of toxic herbicides.

In a statement, Cecilia Alemani, director and chief curator of High Line Art, who previously curated the 2022 Venice Biennale, remarked: “With each new commission and each artist’s unique way of interpreting the world we live in and shape, I learn so much, from topics as wide-ranging yet still connected as the human body, agriculture, and cultural expression.”

”Signal and Strata” is now open to the public at the Carpenter Center for the Visual Arts (), featuring Elena Damiani, X...
01/04/2026

”Signal and Strata” is now open to the public at the Carpenter Center for the Visual Arts (), featuring Elena Damiani, Ximena Garrido-Lecca, and Ishmael Randall-Weeks.

Bringing these three Peruvian artists into dialogue for the first time in a U.S. institutional context, the exhibition explores the layered relationships between material extraction, infrastructure, and landscape.

Organized by Kate McNamara (), Interim John R. and Barbara Robinson Family Director, and Danni Shen (), Senior Curatorial and Public Programs Assistant.

”Signal and Strata” will remain on view through April 5, 2026.

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Courtesy the Carpenter Center for the Visual Arts at Harvard. Photo: Julia Featheringill.

Congratulations to Elena Damiani on her participation in “Second Nature: Photography in the Age of the Anthropocene” at ...
30/03/2026

Congratulations to Elena Damiani on her participation in “Second Nature: Photography in the Age of the Anthropocene” at the Anchorage Museum, Alaska () and in the exhibition “In Relation” at Spore Initiative, Berlin (.initiative). Both exhibitions will remain on view through April 5 and June 21, respectively.

”Second Nature: Photography in the Age of the Anthropocene” examines how contemporary image making reflects a transformed world shaped by technological change and the conditions of the Anthropocene. The exhibition is curated by Jessica May, Executive Director, Kemper Museum of Contemporary Art, Marshall N. Price, Chief Curator and Nancy A. Nasher and David J. Haemisegger Curator of Modern and Contemporary Art, Nasher Museum of Art at Duke University.

”In Relation”, curated by Antonia Alampi (), presents one of the first focused cabinet exhibitions from the collection. Bringing together works that explore different forms of relation, between land, matter, scale, and time, through practices that move between reciprocity, extraction, and material intelligence.

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(1) “Fading Field No. 18”, 2022
Inkjet print with reactive ink on silk chiffon, wood structure, and black matte paint on wall
Structure (approx.): 190 x 132 x 40 cm
Courtesy of Galerie Nordenhake and the artist

(2) “Fading field No. 10”, 2016
Digital print on silk chiffon, wood structure, black paint on wall
190 × 132.7 × 40 cm

Felicitamos a Darío Escobar por su participación en “Fútbol y Arte: Esa misma emoción” en el Museo Jumex (), en México.P...
28/03/2026

Felicitamos a Darío Escobar por su participación en “Fútbol y Arte: Esa misma emoción” en el Museo Jumex (), en México.

Presentada en el marco del Mundial 2026, la exposición explora las múltiples intersecciones entre el arte contemporáneo y el fútbol como expresión cultural, estética y social. A través de diversos enfoques, aborda temas como identidad, comunidad, género y globalidad, así como las dimensiones lúdicas y críticas del juego.

Con la curaduría de Guillermo Santamarina (), la muestra propone pensar el fútbol, más allá de la cancha y el estadio, como un lenguaje común y universal.

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Dirección

Malecón Pazos 252
Lima
LIMA

Horario de Apertura

Lunes 09:30 - 19:00
Martes 09:30 - 19:00
Miércoles 09:30 - 19:00
Jueves 09:30 - 19:00
Viernes 09:30 - 19:00
Sábado 10:00 - 18:00

Teléfono

012529246

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80M2 LIVIA BENAVIDES

80m2 Livia Benavides, galería de arte contemporáneo. Artistas: Fernando Bryce Teresa Burga Sandra Gamarra Gabriel Acevedo Velarde Iosu Aramburu William Cordova Ximena Garrido-Lecca Armando Andrade Tudela Nancy La Rosa Fátima Rodrigo Eliana Otta Marco Pando Rita Ponce de León Juan Diego Tobalina Adan Vallecillo José Vera Matos Maya Watanabe Sergio Zevallos David Zink Yi Oscar Santillán Gilda Mantilla