The Dorian Effect

The Dorian Effect A Personificação do Belo Este trabalho será apresentado em Setembro de 2011 e terá a duração de um mês.

The Dorian Effect analisa o Belo contemporâneo numa versão personificada e é o projecto final de Benevides Martins para o Mestrado em Pintura da Faculdade de Belas-Artes da Universidade de Lisboa. O autor apresenta-nos a medicina estética como uma das pedras basilares do conceito deste trabalho, já que busca a perfeição através da reconstrução do corpo e do rosto, redefinindo o nosso entendimento e a nossa percepção de Beleza. A promoção, com cartazes, sítio internet e spot publicitário, ocorrerá de 1 a 20 de Setembro; a exposição de 10 pinturas a óleo s/ tela (114x173cm) em MUPIS espalhados no centro de Lisboa será entre os dias 21 e 27, e o after-expo terá lugar a dia 29 no Clube Ferroviário, onde o público terá acesso à série completa de telas

É este conjunto de promoção, comunicação e apresentação que dá origem à obra no seu todo.

Inauguração da exposição TDE
24/10/2015

Inauguração da exposição TDE

Caros amigos e familiares,conto com a vossa presença na Inauguração da Exposição THE DORIAN EFFECT, no próximo dia 24 de...
19/10/2015

Caros amigos e familiares,
conto com a vossa presença na Inauguração da Exposição THE DORIAN EFFECT, no próximo dia 24 de Outubro de 2015, às 16H, na Casa da Cultura Lívio de Morais (Casa da Cultura de Mira Sintra).

18/10/2015

Caros Amigos, Colegas, Familiares e Conhecidos.
Conto com a vossa presença na exposição The Dorian Effect que se realizará no próximo dia 24 de Outubro (Sábado), às 16h, na Casa da Cultura Lívio de Morais (Casa de Cultura de Mira Sintra).
Abraços

Ji Yeo _ Beauty Recovery Room
16/09/2015

Ji Yeo _ Beauty Recovery Room

Ji Yeo spent her teenage years in Gangnam, a district in Seoul epitomized by Psy’s Gangnam Style. Her own experiences in and out of plastic surgery consultations inspired her recent work, the Beauty Recovering Room series. Acting as a nurse, Ji Yeo gained access to women recovering from plastic surgery and photographed them fresh from going under the knife. Equal parts documentary and art, Ji Yeo’s work aims to interrupt the usual before-and-after plastic surgery narrative by showing the cost of adhering to social pressure in Korea.

Ji Yeo spent her teenage years in Gangnam, a district in Seoul epitomized by Psy’s Gangnam Style. Her own experiences in and out of plastic surgery consultations inspired her recent work, the Beauty Recovering Room series. Acting as a nurse, Ji Yeo gained access to women recovering from plastic surgery and photographed them fresh from going under the knife. Equal parts documentary and art, Ji Yeo’s work aims to interrupt the usual before-and-after plastic surgery narrative by showing the cost of adhering to social pressure in Korea.

Dazed Digital: Were you always fascinated by beauty?

Ji Yeo: When I went back to Korea after going to elementary school in the U.S. I was shocked when teachers commented about their students’ appearance and about their bodies – it was insane. The kids in my school always talked about how tall or skinny they were. If you were pretty you were extremely popular. If not, you were excluded from the group so from an early age everything was centered around appearances.

DD: So where does plastic surgery come in?

Ji Yeo: I definitely think it’s because everyone wants to look more like Western or Caucasian—like having a higher nose and bigger eyes. Even though there is a difference between what Western women want and what Korean women want, I think that is the ultimate goal.

DD: I've seen crazy surgeries like total facial reconstruction. How do you feel about the extreme plastic surgery culture?

Ji Yeo: I started off being very critical. The reason I started this project was because I had my own self esteem issues. In high school my only goal was to become pretty. I was doing a lot of part-time jobs against my parents’ wishes in order to save up for plastic surgery. My goal was to have surgery on my whole body as soon as I graduated from high school. I went to more than a dozen surgeons getting consultations before realizing it wasn’t for me. I thought I’d have a better life if I enhanced my look.

DD: Did your friends do it too?

Ji Yeo: Oh, definitely. I only have two friends in Korea who didn’t do any surgery. I realized this wasn’t what I wanted for myself though because it sounded really scary. I thought it would be quick and easy because I never actually saw anybody during the transformation process – just before and after shots.

DD: Do you think some girl will see Beauty Recovery Room and have a wake up call?

Ji Yeo: I hope so, but I'm not sure it will work in Korea. Korean women are so immune to all kinds of surgery so it doesn't come as much of a shock to them.

DD: Was it hard finding willing subjects?

Ji Yeo: That was the toughest part. There was a huge blog in Korea where people shared all kinds of plastic surgery information and photos in a kind of review for each surgeon. I posted an ad on the blog explaining my project. If they agreed to be in front of my camera I pretty much agreed to be their servant. I waited for them to get out of surgery, drove them to their home or hotel room, cooked for them, bought them pills and then met them for their post-op appointment the next day. My models didn't really want to be in front of the camera but they kind of needed my service. They were completely alone. The majority of people go through these surgeries by themselves. They don't want to tell their friends or parents since its supposed to be a secret.

DD: What was their reaction to the photos?

Ji Yeo: They don't even want to look at the photos. I kept in touch with them for several months but after a point they would rather not keep in touch with me because I’m a reminder of the past.

DD: You did a performance piece in which you invited strangers to draw on your body, as if marking it for plastic surgery. What was that like to open yourself up to judgement?

Ji Yeo: I was really nervous. When I'm in Korea I always hear negative comments about my appearance. I think people don't intend to hurt my feelings, but it’s part of the culture. It’s almost like saying hello. I was curious about what non-Korean people would say about me. They were nice.

Text: Marie Tae McDermott

http://www.dazeddigital.com/photography/article/16635/1/ji-yeos-bandaged-babes

Artist's Statement:

Beauty Recovery Room series uses the wounded faces and bodies of women who have recently undergone plastic surgery to show the physical cost of adhering to social pressure in Korea. Plastic surgery has become an integral part of Korea’s current culture, often regarded as a integral step in the in self improvement process. Going under the knife, enduring bruises, scars, and being under general anesthetic several times are no longer considered risky or extravagant. They have all had multiple procedures and have plans for future augmentation. The photos were taken directly after their operation while they were resting and waiting to be healed.

The latest raw data compiled from the International Society of Aesthetic Plastic Surgery in 2010, confirms that South Korea is indeed the country with the world’s highest per capita rate of cosmetic plastic surgery. It is a culture where men are judged on their financial balance sheet and women by their beauty. The male-dominated media endlessly reinforces its model of the ideal woman. As a result of these cultural forces Korea has become a beauty-oriented society where people are judged more for their appearance than their character. Korean women, often fall into the trap of trying to live up to the ideal personified in the media. The combination of these factors has dramatically increased the burgeoning plastic surgery industry while creating another set of standards for women to adhere to.

Artist's website: http://jiyeo.com/

16/09/2015

French artist Orlan: 'Narcissism is important' Subscribe to the Guardian HERE: http://bitly.com/UvkFpD Orlan is mostly known for her performance art involvin...

16/09/2015

Video documental de la artista Orlan. "Carnal art" (2001). Miriapodus film.

04/09/2014
30/05/2012

Em pleno Inverno está frio e Os Capitães da Areia decidiram tomar um chá. IDEALIZADO POR André Tadeu | Inês Rueff | João P. Duarte | Miguel Reis PRODUÇÃO EXE...

06/04/2012

Temas polémicos, actuais e controversos do interesse da sociedade na Espanha

05/04/2012

Realização: Alexandre Azinheira Caracterização: Sara Marques de Oliveira Guarda Roupa: Liliana Teixeira, Sara Marques de Oliveira e Vanda Noronha Plateia: In...

Endereço

Lisbon

Notificações

Seja o primeiro a receber as novidades e deixe-nos enviar-lhe um email quando The Dorian Effect publica notícias e promoções. O seu endereço de email não será utilizado para qualquer outro propósito, e pode cancelar a subscrição a qualquer momento.

Entre Em Contato Com A Prática

Envie uma mensagem para The Dorian Effect:

Compartilhar

Share on Facebook Share on Twitter Share on LinkedIn
Share on Pinterest Share on Reddit Share via Email
Share on WhatsApp Share on Instagram Share on Telegram