Eos du Lac

Eos du Lac ICNP | Épistémologie médicale Tiberiades - Porto Seguro Agbodrafo

06/11/2025

La majorité des Indiens du Sud sont noirs !

01/11/2025

Un KAMITE n’est pas une personne à la peau noire
Mais un descendant de K**A conscient de son Histoire

Qui reste DIGNE même après 1200 ans de traite arabo-musulmanes et 400 ans d’esclavage occidentale et 150 ans de colonisation suivis de la neo-colonisation
Un kamite malgré l'histoire de son peuple, n'est pas raciste🖤

Car, toutes les fois où il est tombé, il a su se relever ✊🏾
Un KAMITE n’est pas une personne à la peau noire
Mais un fils de WOSARÉ

Pétri de matière noire et énergie noire, il a le cœur plus léger qu’une plume

Eclairé par la lumière cosmique, il suit le chemin de la MAÂT

Nous sommes à Beni Nord Kivu Congo Kinshasa

Ayant comme seule et unique arme la CONNAISSANCE

Il n’a pas d’autre ami que la VÉRITÉ

Et vit en PAIX avec lui-même et avec les autres…

Un Kamite reste DEBOUT malgré les vicissitudes du temps
Un Kamite reste DEBOUT malgré les contingences de la vie

Un véritable Kamite reste toujours DEBOUT et DIGNE écoutant la musique sidérale qui résonne à l’unisson sur ses tympans, car il a compris les LOIS DE L’UNIVERS ✊🏾

Djims

HOTEP 👑

25/10/2025

In 1956, while performing in Birmingham, Alabama, Nat King Cole was attacked on stage — punched and kicked by a group of white men as he sang “Little Girl.” The audience screamed in horror as the elegant man with the velvet voice was thrown to the floor. For a few terrible moments, the music stopped — and America’s ugliness was laid bare under the stage lights.
Here was Nat King Cole — adored by millions, the first Black man to host a national TV show, the voice that soothed a nation — beaten for daring to stand where he stood. Police dragged the attackers away, but the silence that followed was heavier than any blow.
Cole rose slowly, his suit torn, his pride bleeding. He looked at the stunned crowd and said softly, “I just came here to entertain you.” Then, astonishingly, he finished the song.
That night, the world saw who Nat King Cole truly was — not just a singer, but a man of extraordinary grace and quiet strength. Later, when asked why he didn’t stop the concert, he said, “I can’t let them win.” There was no anger in his voice, only sorrow. “All I ever wanted,” he once confessed, “was to make people happy with my music.”
Months later, The Nat King Cole Show was canceled because advertisers feared supporting a Black host. Cole shrugged, weary but dignified. “I guess Madison Avenue isn’t ready for someone like me,” he said.
But history was.
Nat King Cole’s defiance was not in shouting, but in singing. Every note he sang was an act of resistance — a promise that hate could bruise his body but never break his spirit. His voice, calm and timeless, became America’s most beautiful answer to its own cruelty.

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