Luna Yoga For Survival Project

Luna Yoga For Survival Project For a better life on earth! Yoga, meditation, healthy living, organic fashion materials, good music, good food, good mood etc.

25/04/2026

Moonlight & roses: A dream. 🌌🌔

24/04/2026
21/04/2026

with .repost
・・・
“Çok fazla şey bilen bir adam, hiçbir yere sığamaz.”

Nietzsche’nin bu sözü, bugün bizim için sadece felsefi bir çıkarım değil; bizzat içinde yaşadığımız bir “farkındalık laneti”

Bireyin çevresindeki sosyal maskeleri ve toplumsal yalanları fark etmesinin getirdiği izolasyonu konu alan, sanatçı Russell Geoffrey Banks’in alıntı ve monolog serilerilerinde “The Curse of Awareness” başlıklı son üretimi ilgi çekti. Alıntıda, derin bir farkındalık kazanan kişilerin, kalabalıklardan nasıl uzaklaştığını, gerçekleri gören birinin artık eski saflığına dönemeyeceği ve bu durumun kişiyi kaçınılmaz bir yalnızlığa sürüklediği vurgulanır. Bu sessizlik bir kibir göstergesi değil, dünyanın karmaşık yapısını ve insanların gizli niyetlerini kavramanın doğal bir sonucudur. Kişinin yüzeysel olanın altına inmeye başladığında toplumdaki yalanları, insanların “koyun” gibi hareket etmesini ve gizli niyetleri fark ettiği anlatılır.
Sonuç olarak, zihinsel bir aydınlanma yaşayan birey için toplumsal uyum imkansız hale gelirken, bu kopuş kişinin öz benliğini bulması için ödenen bir bedel olarak nitelendirilir.

21/04/2026

New dates for Susanna Finocchi in Copenhagen August 22.-26. 2026

Check our event calendar 2026:

Lakshmisha Bhat
May 25.-27. 2026


David Garrigues
June 26.-28. 2026


Chandana Bhowmick
July 10.-12. 2026


Kino MacGregor
August 8. 2026


Susanna Finocchi
August 22.-26. 2026finocchi.3

Laruga Glaser
October 3.-9. 2026


More info and signup:
www.astangaforeningen.dk/events.html

21/04/2026

Progress isn’t about perfection—it’s about showing up, stretching a little further, and growing every day. 🧘‍♀️✨

16/04/2026

Why do we repeat the same sequence?

In Iyengar Yoga, repetition is not accidental.
It is intentional.

The first time you perform a sequence,
you establish the form.

You place the foot.
You lift the arm.
You manage the block.

The action is done—
but not yet understood.

The second time, something changes.

You begin to feel:
Which shoulder is closing.
Which elbow is bending.
Where the breath shortens.

This is where practice begins.

The difference is subtle, but decisive:
Performance asks:
Did I complete the pose?

Practice asks:
What did I observe?

Repeating the basics is not a step backward.
It is the moment
when the body begins to speak
and the practitioner begins to listen.

💬 When you repeat a pose—Are you doing it again…
or are you seeing something new?

16/04/2026

I often think of the abdomen as a tidal basin.

Not the open ocean, not the crashing edge of the shore, but that wide, receptive place where rivers meet the sea. Everything that moves through the body eventually passes here. Nourishment. Stress. Emotion. Memory. It is where currents slow enough to be felt, and where what has been carried finally has a place to settle.

When life moves too fast, this basin silts over, and the water grows thick and unmoving. Our organs lose their natural glide, and fascia densifies. Breath begins to skim the surface instead of dropping downward into the belly. You can feel the heaviness and resistance.

Each organ brings its own weather system. The liver holds heat and pressure, like an unbreakable storm. The stomach churns with doubt and uncertainty, its waves turning in on themselves. The intestines have a tide of looping stories, unfinished conversations rolling in and out. And the diaphragm hovers above all of it like a tide gate, deciding what is allowed to pass.

This all becomes poetry written into tissue.

When we place our hands here, we are not digging or forcing or fixing; we are dropping a pebble into still water and waiting to see what ripples. The contact is slow, the pause intentional, the hand listening rather than leading, inviting movement instead of demanding it. And the body responds the way water always does, not all at once, but in widening circles that travel outward, softening what they touch, carrying ease from the center to the edges.

Within abdominal work, we must wade slowly into these waters. This is not solid ground but a living basin, warm and responsive, where organs float, and emotions gather like shifting weather. The nervous system listens closely here, reading every change in pace and pressure. When we arrive with patience, our touch becomes a kind of climate. Rushed hands churn the silt and cloud the current, while a steady presence settles like rain after heat, restoring movement and clarity.

Sometimes, nothing dramatic happens in this work. No big release. No story. Just a subtle shift, like water beginning to move again where it had gone quiet. That is enough. When movement returns here, the body follows.

Remember, the body does not need to be convinced to heal. When we meet the abdomen with patience and care, the storms soften, the tides return, and the basin remembers its own flow.

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Cihangir
Istanbul
34433

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