Global Arts Trust

Global Arts Trust Established in 2002 as an initiative of Arts Practitioners in Zimbabwe, Global Arts Trust is an ar

Our vision is to see the:-


Propagation of an educated population that is decisive, intelligent and capable of perpetuating economic and social growth through the arts.

This week at HIFA 2018 here is something to look forward to! Starting with Master's Shoe 2 May, 6.30pm
01/05/2018

This week at HIFA 2018 here is something to look forward to! Starting with Master's Shoe 2 May, 6.30pm

04/04/2018

Join us this Saturday, 2pm at UZ Beit Hall. There will be Free Public Readings from The Writers Dialogue, facilitated by Thandiwe Mawungwa.

11/07/2015

COME OUT and JOIN US NEXT SATURDAY, JULY 18 for GIDEON JEPH WABVUTA'S DIRECTORIAL DEBUT!

Be sure to check out and share this beautiful song by Zimbabwean talent Gemma Griffiths!
17/04/2015

Be sure to check out and share this beautiful song by Zimbabwean talent Gemma Griffiths!

07/03/2015

CALL FOR AUDITIONS!!!
Auditions for Staged Reading of: Sueño, a delightful Comedy/Drama
Adapted by Jose Rivera from the play by Pedro Calderon de la Barca
Directed By Kudzai Sevenzo

Venue: Zimbabwe German Society @ 51 Lawson Avenue, Milton Park, Harare
Date: Monday 9 March 2015
Time: 10am to 2pm

SYNOPSIS
Rosaura, a jilted young woman dressed as a man, and seeking her revenge on a love who abandoned her after promising her marriage, finds herself in an unfamiliar territory, with a jester (Clarin) who provides her with comic relief during this ordeal. They accidentally stumble upon a forbidden part of the land where the king’s son, Segismundo who has been secretly hidden all his life inhabits and whose only companions are the nobleman Clotaldo and God, who’s very existence he questions. Segismundo, heir to the throne, was imprisoned at birth when astrologers predicted his reign as king would result in the country’s ruin. After 25years of imprisonment, the king (Basilio) reasons that if the young man is gentle and civilized, he will be allowed to reign. If he is as wild and barbaric as the stars predicted, he will be sent back to his imprisonment and told that his brief moment of freedom and power was only a dream. Written in fun contemporary language, Sueño explores the themes such as dream versus reality and fate versus free will.

CHARACTERS:
BASILIO – King of Spain - torn between the dictates of the stars and his guilt about the fate he has decreed for his son
COTALDO– His advisor, the king's loyal servant and Segismundo's jailer and tutor, as well as Rosaura’s father -
ROSAURA – A feisty young woman bent on revenging the man who loved her and left her
CLARIN – Her manservant; a clownish and sometimes cowardly companion to Rosaura
SEGISMUNDO – Brilliant and passionate, Prince of Spain, Son of Basilio
ASTOLFO – Duke of Warsaw – wacky, and aspiring to take over from the King
ESTRELLA – A princess – attractive and extremely ambitious wanting to be queen
(1st soldier, servants, soldiers, tower guards and prison voices)

05/02/2015

AUDITIONS for the staged reading of:
In the Blood by Suzan-lori Parks
Directed by Elizabeth Zaza Muchemwa

Venue: Zimbabwe German Society
Date: Friday, February 6, 2015
Time: 9 am to 2pm

In The Blood tells the story about a mother, Hester, and her five fatherless children, trying to find help to make her children's lives successful.

Characters
Hester, La Negrita
Jabber/Chilli
Bully/ The Welfare Lady
Trouble/ The Doctor
Beauty/ Amiga Gringa
Baby/ Reverend D

Hester, La Negrita- The main protagonist of the play, and mother of five bastard children. She struggles to find help from anyone for her children in poverty.

Jabber- Hester's oldest son. He is thirteen years-old and is considered slow by his mother, although knows how to read and write better than she. He still has bed-wetting problems.

Bully- Hester's oldest daughter. She is twelve years-old and considers herself a "good" person. Bully has more masculine characteristics.

Trouble- Hester's middle son. He is ten years-old and has a mischievous nature.

Beauty- Hester's youngest daughter. She is seven years old and considered a snitch from her mother and Trouble.

Baby- Hester's youngest son. He is two years-old and the son of Reverend D.

Poets, this is for you
15/01/2015

Poets, this is for you

03/10/2014

Festivals
The Association
EFA Activities
Atelier for Young Festival Managers

Car le vrai rôle d'un festival est d'aider les artistes à oser, à entreprendre des projets...

Bernard Faivre d'Arcier, former director of Festival d’Avignon
and Chairman of Les Biennales de Lyon, France
Upcoming Ateliers for Young Festival Managers:




The Atelier - a unique experience
Do you belong to the next generation of artistic festival directors? Do you feel the need to broaden your programming skills, grow your network and get inspired by your peers and experienced forerunners? Do you want to join a new network of future festival leaders worldwide?
The Atelier for Young Festival Managers is a unique, intense, 7-day training programme initiated by the European Festivals Association.


The Atelier aims to offer to emerging festival directors a stage to explore creative ideas and open up new perspectives.

Kathrin Deventer, EFA Secretary General

Motto of the Atelier
The sentence borrowed from Bernard Faivre d’Arcier “The true role of a festival is to help artists to dare, to engage in new pro­jects…” (lecture on the future of festivals in February 2006) is the motto of the Atelier. Particular emphasis is given to the artis­tic aspects of festival management. This touches upon artistic vision, political and social responsi­bility, internationalisation, networking, renewal and sustainability.
A unique programme
ARTISTIC – EXCLUSIVE – PROCESS – EXPERIENCE – GLOBALISATION – LOCAL
The Atelier helps emerging directors and focuses on the artistic role of festivals, touching upon all artistic disciplines.
The care taken in the selection of 45 young festival managers and ten mentors from all over the world, the hosting cities, venues and the framework is core to providing the group with excellent conditions for personal, in-depth discussions.
A 7-day intense working space allows young managers to step out of their daily context and enrich it through carefully developed and balanced lectures, workshops, papers, one-to-one conversations and informal talks.
A distinguished group of mentors develops the programme and guides the participants throughout the week. The effect of the Atelier does not just last for seven days but creates new and enduring networks and a sustainable platform for exchange.
While the Atelier is embedded in its host city, an international and global approach allows participants to compare their views with colleagues from different contexts and artistic disciplines.
Presenters
Festival leaders from all over the world guide the participants through the Atelier under the coordinator of Hugo De Greef (Former EFA Secretary General, General Manager Bruges European Capital of Culture 2002, Founder and former Director Kaaitheater). They are well known for their direction of festivals and artistic programming. Many of them have re-defined the concept of an “excellent festival” by developing completely new festivals or by transforming existing ones. Their experiences – their successes and failures, artistic principles and co-operation projects – are passed on through the Atelier. So far, 32 festival directors from all over the world have taken part in previous Ateliers.
Participants
The Atelier is especially designed for those who are working or have ambitions to become in­volved in programming or in programming-related departments within a festival. The Atelier enlarges young festival managers’ personal horizons and their perspective on festivals and programming practices all over the world. It equips them with a new network of international contacts which strengthens the dialogue between these ‘leaders of now and the future’. 223 young festival managers and 32 mentors and presenters from 58 countries have exchanged views and inspired each other so far.

roundtable

The Atelier is about formulating experiences and how to hand over these experiences to a next (new) generation of festival makers, focusing thematically on the very essence of art and festivals: the art and the artist.

Hugo De Greef, initiator of festivals and
General Manager Bruges European Capital of Culture 2002, Belgium
Why the Atelier?
EFA developed the Atelier to offer suitable life-long training opportunities in the field of festival programming and artistic co-ordination. The Atelier aims to:
internationalise one’s environment
contribute to the professionalisation of the festival sector
broaden perspectives and give new inputs on the level of content
connect and share different management skills from all over the world
foster and encourage cooperations and coproductions
enhance international networking
challenge and inspire emerging artistic festival directors by bringing them in contact with their forerunners
build up self-confidence among participants
explore the diversity of models on how to run a festival
help structure and evolve the different management skills and competences requested from a festival operator
confirm and establish creativity and innovation
Host Cities
It is a key feature of the Atelier that the participants experience different facets of the culturally diverse host city, a place with historical meaning to which the Atelier connects. The city as an entity is an important player in society, especially the ‘cultural city’. In the Atelier this becomes tangible in the choice of the venues; a regular daytime workplace alternates with different cultural venues for each evening session. The Atelier and its participants ‘live’ in the city.
History of the Atelier for Young Festival Managers
The attention to training and the transfer of know-how has been an objective of EFA since its foundation. A predecessor of the Atelier for Young Festival Managers as we know it today was organised in 1999/2000 in Geneva/Switzerland and Estoril/Portugal at the invitation of the Estoril Festival under the label “Eurofest Training Programme”. Supported by the European Commission and the European Cultural Foundation, it was created to offer in particular to EFA’s membership a high level European professional training for young managers of international performing arts festivals. It focused on all aspects of festival management.
Taking up this dynamic and the good results, a further defined model was developed: today’s “Atelier for Young Festival Managers”. It was launched in 2006 under the coordination of Hugo De Greef, EFA Secretary General at the time. Since then, the Atelier has taken place in Görlitz (2006), Varna (2009), Singapore (May 2011), Izmir (October 2011), Ljubljana (October 2012) and Edinburgh (April 2014), and 223 young festival managers have benefitted from this unique experience.
Further information
Contact:
The Festival Academy
Sainctelettesquare 17
1000 Brussels - Belgium
T: +32 2 644 48 00
info@thefestivalacademy.eu
www.TheFestivalAcademy.eu

European Festivals Association
Kleine Gentstraat 46
9051 Gent - Belgium
T:+32 9 241 8080
atelier@efa-aef.eu

12/03/2014

Atelier for Young Festival Managers (Poland): call for applications
Are you part of the next generation of artistic festival directors? Do you want to broaden your programming skills and be inspired by colleagues and experienced leaders in the field? The Festival Academy is launching the Open Call for the next Atelier (20-27 October 2014). Young festival managers from all over the world are invited to apply before 15 April

The Festival Academy is an initiative of the European Festivals Association (EFA) launched in 2013. It offers various training formats on festival management to young, dynamic and passionate festival makers worldwide. Its mission is to share, exchange and construct know-how on festival management focusing on the essence of festivals – the art and the artist and touching upon all artistic disciplines. In this way The Festival Academy means to develop and sustain a network of festival leaders of the future.
EFA set up The Festival Academy based on the success of the Atelier for Young Festival Managers, the 7-day training programme and its five editions between 2006 and 2012 in different parts of Europe and beyond. The Festival Academy incorporates extended partnerships with networks, cultural institutes, embassies and festivals, higher geographical outreach and new training formats in festival management addressed at more diverse target groups.
The Festival Academy’s next steps are to extend its offer to new cities, participants and topics, and to develop into a sustainable training platform for people working in different fields of festival management. It empowers a new generation of emerging leaders (artistic and production) as capacity building and internationalisation are at the Academy’s core. It generates new professional opportunities for festival makers.
Three training formats
Atelier for Young Festival Managers: a 7-day intense training programme addressed at 45 young artistic festival managers who are guided by 10 renowned festival directors from all over the world
Festival Readings: a 3-day encounter taking place during a festival with readings by high-level lecturers from the festival sector addressed at festival representatives working in a broad range of festival departments and open to the general public
Training for Production Managers: an exchange on festival production aimed at young production managers
The Festival Academy is traveling across Europe and the world and is always strongly connected to the local context in which it takes place.

06/02/2014

Do no let what you cannot do tear from your hands what you can.-Ashanti proverb

04/02/2014

Sylt Foundation (Germany) - African Writer’s Residency Programme
The African Writer’s Residency offers a residency to writers of contemporary African literature, who engage with contemporary themes and concerns of Africa and the African Diaspora. The award is open to published (not self-published) writers of poetry, prose, plays and novels. Deadline for applications: 21 February 2014.

27/01/2014

BN Poetry Award 2014
Deadline: 5 May 2014

The winner will receive 1,000 US Dollars.

Guidelines for Submissions
- It is open to ALL African poets who will not have published a full-length collection of poetry by May 2014
- Submissions should be original, in English and not more than 40 lines. Times New Roman or Arial, single-spaced and size 12. Local languages are accepted only if English translations are sent alongside them
- Send a maximum of three poems and a minimum of one poem to bnpoetryaward@mail.comas a word attachment. DO NOT include your name or contact details on the poem itself
- The subject line should read, "BNPA 2014"
- Include your name, email address, country or birth and country of permanent residence, telephone number and the titles of your poems in the body of the email
- The submissions will be accepted from January 6th to May 5th 2014
- More details on the face book page, Babishai Niwe Poetry Foundation, on the blog http://bnpoetryaward.blogspot.comand website www.bnpoetryaward.co.ug

Address

Harare

Opening Hours

Monday 09:00 - 17:30
Tuesday 09:00 - 17:30
Wednesday 09:00 - 17:30
Thursday 09:00 - 17:30
Friday 09:00 - 17:00

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