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The exhibition features Renelle White Buffalo’s Hill Series and Collection Series. This particular painting reflects bot...
04/28/2026

The exhibition features Renelle White Buffalo’s Hill Series and Collection Series. This particular painting reflects both. In the Hill Series, she reflects on a longing for the earth:

“In the city, there’s a hard shell of concrete between me and the earth. I’m convinced the rigidity of the metropolitan stereotype comes from never being able to touch feet on the soil of the original land. This disconnection lingers with me, even when I return to the Midwest. Through layered painting, I aim to capture the layered history and ongoing impact of nature, humans, and animals.”

Her Collection Series recalls excursions in her hometown to gather rocks. To get there, she climbs a hill, passes the river, crosses under a busy highway, and along the way notices the small, overlooked features of the landscape:

“That hill now has a giant Hollywood-style lettering saying ‘White Buffalo’ courtesy of my uncle. I wonder if all the good rocks are gone from there?”

Image:
Renelle White Buffalo
Findings, 2026
Acrylic, collage, ribbon, cyanotype, and emboidery thread on canvas
49 x 37 inches framed

✨ALINA BLIUMIS’ HORSES✨Day Four of Art Brussels! Image:Alina BliumisLeft Hand Right Time, 2026Oil on wood panel14 x 11 i...
04/26/2026

✨ALINA BLIUMIS’ HORSES✨Day Four of Art Brussels!

Image:
Alina Bliumis
Left Hand Right Time, 2026
Oil on wood panel
14 x 11 inches

Alina Bliumis
Pain, Beauty, Duty, and Joy, 2026
Oil on wood panel
14 x 11 inches

✨Ellen Jong for Art Brussels Day 3 ✨ Stand A5-08 ✨ Jong draws inspiration from late Imperial Chinese s***f bottles, reim...
04/25/2026

✨Ellen Jong for Art Brussels Day 3 ✨ Stand A5-08 ✨ Jong draws inspiration from late Imperial Chinese s***f bottles, reimagining their forms with handmade ink, piercing jewelry, and strands of freshwater pearls. Built through a careful, layered process, these works feel both sculptural and bodily—hovering between vessel and figure. By piercing the surfaces, Jong brings a sense of tension and intimacy to the work, gently but firmly challenging traditional ideas around form, history, and value.

✨Alina Bliumis for Day Two Art Brussels✨In her new series of paintings, Better Together, Alina draws on the medieval car...
04/24/2026

✨Alina Bliumis for Day Two Art Brussels✨In her new series of paintings, Better Together, Alina draws on the medieval carnivalesque and its contemporary afterlives to explore the relationship between powerful institutions and grassroots resistance.
Her compositions collapse symbols of corruption and disaster with scenes of tender mutual support. Surreal
tableaux foreground the body as a site of vulnerability and dissent, with figures traversing uncertain terrain.
References to the home and familial bonds proliferate, extending kinship beyond the nuclear family to include
neighbors, friends, pets, and broader communities. For Bliumis’ protagonists, survival is a collective endeavor,
sustained through intentionality, compassion, and mutual care.

Image:
Alina Bliumis
Better Together, 2026
Oil on wood panel
20 x 16 inches

✨OPENING DAY✨ Art Brussels Stand A5-08 with Alina Bliumis and Ellen Jong opens today. Address & Opening hoursBrussels Ex...
04/23/2026

✨OPENING DAY✨ Art Brussels Stand A5-08 with Alina Bliumis and Ellen Jong opens today.

Address & Opening hours
Brussels Expo – Entrance Hall 5
Place de la Belgique 1
1020 Brussels

OPENING DAY
Thursday 23 April 2026
Preview | 11am – 4pm
Vernissage | 4pm – 9pm

PUBLIC DAYS
Friday 24 April 2026 | 11am – 7pm
Saturday 25 April 2026 | 11am – 7pm
Sunday 26 April 2026 | 11am – 6pm

We’ve arrived! Alina Bliumis and Ellen Jong presented at Art Brussels in Stand A5-08 Brussels Expo – Entrance Hall 5Plac...
04/21/2026

We’ve arrived! Alina Bliumis and Ellen Jong presented at Art Brussels in Stand A5-08

Brussels Expo – Entrance Hall 5
Place de la Belgique 1
1020 Brussels

OPENING DAY
Thursday 23 April 2026
Preview | 11am – 4pm
Vernissage | 4pm – 9pm

PUBLIC DAYS
Friday 24 April 2026 | 11am – 7pm
Saturday 25 April 2026 | 11am – 7pm
Sunday 26 April 2026 | 11am – 6pm

Images:
Alina Bliumis
Folks, 2026
Oil on wood panel
14 x 11 inches

Ellen Jong
Inkling, 2026
Handmade dehydrated-solid and liquid ink on pedestal with fountain components
18 x 18 x 16 inches

Ellen Jong’s new work for  opens on Thursday! In Inkling (2026), she casts her own face—resting in her hand—using layers...
04/20/2026

Ellen Jong’s new work for opens on Thursday! In Inkling (2026), she casts her own face—resting in her hand—using layers of dehydrated ink. From the temple, a continuous stream of liquid ink flows in a looping cycle, evoking transformation and renewal while holding space for loss. Ink becomes a living material, constantly shifting between states.

Ellen Jong
Inkling, 2026
Handmade dehydrated-solid and liquid ink on pedestal with fountain components
18 x 18 x 16 inches

Ellen Jong for Art Brussels opening next week ✨S***f Ama, 2026Handmade ink, pearls, and piercing jewelry on paper12 x 9 ...
04/17/2026

Ellen Jong for Art Brussels opening next week ✨

S***f Ama, 2026
Handmade ink, pearls, and piercing jewelry on paper
12 x 9 inches approx (paper size)

Alina BliumisMother Oyster, 2026Oil on wood panel16 x 20 inches
04/15/2026

Alina Bliumis
Mother Oyster, 2026
Oil on wood panel
16 x 20 inches

04/14/2026

ALINA BLIUMIS & ELLEN JONG FOR ART BRUSSELS 🖤 OPENING NEXT WEEK!!

Renelle White Buffalo’s Collection Series recalls various rock gathering excursions in her hometown in South Dakota. To ...
04/14/2026

Renelle White Buffalo’s Collection Series recalls various rock gathering excursions in her hometown in South Dakota. To get there, she climbs a hill, passes the river, crosses under a busy highway, and along the way notices the small, overlooked features of the landscape. Remembering how it’s changed over the past 25 years, she says:

“That hill now has a giant Hollywood-style lettering saying ‘White Buffalo’ courtesy of my uncle. I wonder if all the good rocks are gone from there?”

These formative encounters with landscape and memory inform her abstractions, linking lived experience with Lakota visual traditions and environmental observation. By centering specific forms, motifs, and environmental experiences, White Buffalo challenges conventional notions of abstraction and painting, creating work that bridges memory, cultural practice, and engagement with the land. Her work invites reflection on how memory, culture, and environment shape our understanding of place and presence.

Renelle White Buffalo transforms landscape, environmental observation, and Lakota cultural practices into layered, abstr...
04/13/2026

Renelle White Buffalo transforms landscape, environmental observation, and Lakota cultural practices into layered, abstract paintings. This exhibition features White Buffalo’s Hill Series and Collection Series.

Working with brushy, painterly strokes on archival translucent paper, White Buffalo builds her compositions through cutting, piecing, and collage. These fragments are assembled onto the canvas in abstracted, hill-like forms or arranged like collections of gathered rocks and shells, echoing the contours of remembered landscapes. Fields of color—deep red earth tones, shifting greens, and atmospheric hues—accumulate across the surface, evoking the rhythms and tonal variations of the natural world. Ribbons and knotted strings extend from the canvases, referencing Lakota prayer ties and regalia. These elements respond to subtle viewer movement, evoking the wind and the imprint of human presence.

Address

127 Henry Street
New York, NY
10002

Opening Hours

Wednesday 12pm - 6pm
Thursday 12pm - 6pm
Friday 12pm - 6pm
Saturday 12pm - 6pm

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